D-2000 Drum Machine
Postmodular have the last few available units (in the world) of this unique drum machine – once they’re gone they are GONE.
We all know what happened to its sibling the D-1000 – and the D-2000 is even more extreme and toxic! I want, I must have, I will eat my own leg off!
And it will blow your ass off too:) The D-2000 is an all-new “1950s” design, based on our previous drum-sound simulation circuits. Unlike the previous D-1000, everything in the D-2000 has been tweaked and maximized and pushed. It is NOT intended for fast-and-dirty bland, conventional backing tracks, it is for the mad experimenter and the risk-taker and the experienced studio musician who wants extreme analog.
Each of the three tuneable drums (“PITCHED DRUM”) is made from a vacuum tube ringing bandpass filter, and can be tuned to sound from below 20 Hz to over 2 kHz using a “vactrol” photoresistor. They are also tunable with external control voltages (varying 0-5v), allowing complex patterns to be built up with external CV or pulse sources. Resonance of each PITCHED DRUM circuit is set by front-panel controls. Each circuit also has a “Drive” control, allowing the pulse input to be varied from complete shutoff (silence) to full sounding to overdrive. The PITCHED DRUM circuits are very similar to the RK4 module.
The two “cymbal” sound channels (“GATED NOISE”) are based on an extremely primitive circuit, with white noise gated by a pentode tube. The “cymbal” attack and decay are knob-variable and the decay time is also CV variable, controlled by a slow-response “vactrol” photoresistor. Each GATED NOISE channel also has a treble rolloff tone control.
The D-2000 is the most primitive electronic drum machine on the market, bar none.
A “Link” switch connects the trigger inputs of the second GATED NOISE and first PITCHED DRUM channels, so they sound together. This allows simulation of a “snare” drum – a really strange one.
Recessed buttons may be used to manually trigger each channel, in parallel with any trigger input pulses.
All five channel outputs mix to a single tube preamp that allows for severe overdriving via the mix-level controls. (D-2000s starting with s/n 55 have a “TORTURE” knob instead of the previous CV input. This control allows mis-biasing the output tube stage. The distortion is either minimal or brutal–more like the previous D-1000. But with less background noise.)
Because there are now far better trigger sequencers available on the modular-synth market than we can make, we chose to equip this rackmount device with no sequencer. Instead there is an 8HP space for a Eurorack sequencer or trigger generator. A power cable provides +12v and -5v and should power any trigger or gate generator that will fit in 8HP (most only need +12v power). We recommend either the Delptronics Triggerman or the early version of the ALM Pamela’s Workout, both have been tested and are known to work very well. Trigger sequencers and generators from other modular synth equipment may also be used. The D-2000 trigger inputs will accept any pulse source: 0 to +5v, 0 to +10v, 0 to +15v, it doesn’t matter. You can also run strong audio signals into the trigger inputs, they will mix with the noise in the GATED NOISE channels and convert the PITCHED DRUM channels into tunable bandpass filters. Try that with a digital sampled drumbox.
Ample inputs and outputs: mix output (with overdriveable tube preamp), separate outputs for each drum sound channel, external trigger inputs for each drum sound channel, and CV inputs for each drum sound channel. Use any pulse generator to drive the trigger inputs. Very short pulses are recommended for the pitched-drum triggers, and longer pulses for the cymbal triggers. The Triggerman and the Pamela’s Workout are both capable of producing different pulse lengths on their separate outputs. They have very different user interfaces, so choose the one you prefer.
It’s rude and immoral and “vintageish”. It’s not completely dead-silent and distortionless, and cannot be made so. No, it does not sound like a TR-606. The owner’s manual is full of warnings for the idiots who often purchase our products, and claim they’re “broken” when they’re working perfectly. If you’re one of those idiots, buy a nice Machinedrum or something and go away. We do not want you as a customer. Our products are for people with guts and raw talent in reserve, not for bar bands and chronic masturbators.
Specifications: Inputs and outputs 1/8″ jacks, except main mix output on 1/4″ jack. 3U high rackmount enclosure, protrudes behind panel less than 1.5″ (not including Euro sequencer if one is installed) and tubes protrude above panel less than 1.75″. Weight (minus AC adapter) approx 5 lbs (3.7 kg). Power: 12 volts DC only, 2 amps. Power inlet: 2.1mm or 2.5mm coaxial jack. The D-2000 includes a “universal” AC-DC switching power supply accepting 100v to 240v mains, that may be used anywhere on earth, provided the correct AC power plug is attached (we can only supply North American power cords, adapters are available anyplace where travel supplies are sold). Tubes used: 2 x 6CB6/6CF6, 3 x 5U8 or 5GH8, 1 x 3AU6.